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Blickensderfer, William Jacob
Davenport, Adelaide Hutchings
Davenport, Harriet Grant Chesebrough
Dewing, Clark Leonard
Dewing, Hiram
Duffy, Edward
Gildemeister, Clara Parsons
Hanrahan, John T.
Hoit, Edward B.
Hoyt, Joseph Blachley
Jones, Cortland Mead
Lathrop, The Reverend Edward
Lockwood, Judge Charles Davenport
Machlett, Raymond R.
Palmer, Delos
Peters, The Reverend Cyril S.
Quintard, Elizabeth
Quintard, Mary “Polly”
Selleck, Charlotte Gregory
Selleck, George
Selleck, Harriet Banks
Selleck, James Weed
Selleck, Captain William
Studwell, Theodore
Towne, Frederick Tallmadge
Waterbury, Captain Marcus
Wilensky, Julius Morris

Introduction

The Stamford Historical Society Presents

Best Face Forward
Portraits from the Society's Collection
April through September 2009

William Jacob Blickensderfer (1853–1934)

William Jacob Blickensderfer, age three Oil on canvas
Moses Billings (1809–1884)
Museum Purchase
PM64-10
R154

Born and raised in Erie, Pennsylvania, William came to Stamford to work for his brother, George C. Blickensderfer, inventor and founder in 1892 of the Blickensderfer Typewriter Company. The “Blick,” as it was popularly called, was a real success from the beginning, both in this country and abroad. This small portable typewriter with its innovative rotary print wheel, was introduced at the 1893 Columbian Exposition in Chicago where it created a great deal of excitement and received two awards.

William was involved in the day to day management of the company and became its treasurer. An obituary in the Stamford Advocate upon the death of his brother, George, praises William thusly: “For twenty years William J. Blickensderfer has been his brother’s other self and inseparable companion, supplying the calmer afterthought, the careful judgment, of his brother’s more impetuous genius.”

William was three years old when he posed for this endearing portrait along with his dog. Boys in the 19th century wore dresses and skirts until they became four to six years old. Graduating into breeches signified their entrance into a masculine world, leaving behind the female-focused world of early childhood.

Artist Moses Billings was born in Amherst, New Hampshire and was a self-taught artist as there were few art schools outside the major cities. Becoming an itinerant artist he traveled to cities in upstate New York, Ohio and Washington, D.C., where he painted President John Quincy Adams and Dolly Madison, neither of which sold and were taken back to Erie.

Settling in Erie, Pennsylvania by 1849 he made a living painting the prominent residents of that prospering young city. It is claimed that he painted over 500 portraits in his lifetime.

One critic has said of his work, “his lack of training in anatomy was obvious to the trained eye but his facial features, particularly the eyes, gave his likenesses excellent quality, while his colors and period apparel were realistic.”

This painting of little William is representative of American Folk Art portraits so admired by collectors today.

Image © Stamford Historical Society




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