The Hoyt Barnum House has recently been cleaned and refurbished with 17th and 18th century furniture.
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Pennsylvania wood trunk dated 1773. It features a painted tulip pattern,typical of that area in yellow and gold. The paint is original to the piece.
Note: When this page was created, there was on dispaly the Wethersfield Chest. The early 17th century painted pine, six-board storage chest retains its original compass-drawn decoration in red, green and white pigments. It was found in an early Wethersfield house and has been attributed to a Wethersfield area craftsman, perhaps one named Peter Blin. The staple hinges are original. This chest is particularly appropriate in the Hoyt-Barnum House as the original 28 Stamford settlers came down from Wethersfield in 1641.
The chest was moved to the main building as part of the Davenport Exhibit.
Hanging Lantern. The 18th century lighting fixture with its distinctive onion-shaped glass globe would originally have held a candle, but at some point it was electrified. Provenance unknown.
Queen Anne Maple Armchair. Made in Connecticut, 1750-1820, this chair has a serpentine crest, a solid vase splat, sausage and ring-turned legs with flaring feet which are joined by a ball and reel-turned front stretcher.
Queen Anne Drop-Leaf Table. Made in Connecticut, circa 1780, this maple table has D-shaped leaves and a shaped skirt which is raised on slightly cabriole legs with pad feet. It is painted red with possibly old green paint underneath. Small tables were widely used in early homes as they were portable and could easily be moved from room to room or even outdoors on a nice day.
Banister Back Side Chair. Mid-18th century. The chair back has three vertical balusters with the flat side facing front. There are two turned front stretchers, two side and one rear. The legs end in small bun feet. This chair retains its original rush seat and old black paint.
Banister Back Arm Chair. Mid-18th century. Four vertical balusters are flanked by turned back posts ending in finials. Chair arms end in ram horn handrests. The splint seat is probably original.
Ladder Back Side Chair. This smaller size chair was made of maple and ash in New England in the 19th century. Judging by the size, it was probably made for a woman. The chair stiles are topped with nippled finials and the three splats are slightly concave. Circular tapered legs are joined by a double-front stretcher.
Banister Back Side Chair. Made in New England in the late 18th century, this chair has a dipped crest above four molded balusters. The rush seat is probably original. The turned legs are joined by a sausage-turned stretcher. The ball feet are quite worn.
Banister Back Armchair. Made in Connecticut in the 18th century, this painted black chair has its original splint seat. The four reeded balusters are topped with a dipped crest. Provenance unknown.
Andirons. 18th century andirons (sometimes called firedogs) have ball finials and penny feet.
Chippendale Tripod Table. Made of cherry in Connecticut, circa 1760. The circular top rests on a turned baluster standard. The tripod base ends in snake feet.
The Keeping Room
Painted Cupboard. Mustard color is faintly grained. This cupboard belonged to General David Waterbury.
William and Mary Gate-leg Table. Made of maple, probably in New York, circa 1720-1760. It has D-shaped leaves and double ring and vase turned legs which end in ball feet.
On the table is a collection of handmade wooden plates and bowls (often referred to as treen) as well as a large pewter plate and horn cups.
Ladder Back Arm Chair. Made of maple and ash in Connecticut between 1750 and 1820. This chair has a serpentine crest, solid vase splat, sausage and ring-turned legs with flaring feet joined by a ball and reel-turned front stretcher. This would have been the Father’s chair.
Many cooking utensils and tools were needed to prepare family meals. Most homes would not have had all of the ones shown here. While none of the metal items are believed to be made by Samuel Hoyt, the builder of the house, he was, by profession, a blacksmith and was occupied in making similar utensils. There are some of the special items to be found on the hearth and on the mantel:
Gooseneck Andirons. Dating to the 18th century, these wrought iron andirons came from the Pratt family of Pratt Island, which lies just off the Stamford/Darien coastline.
High-legged Trivet. Circa 1775-1790. This wood handled one would not have been set into the ashes, but would have sat on the hearth to hold a pot or pan to keep the contents warm. Not surprisingly, the wood handle is badly burned.
Tin Candle Mold. The use of molds made candlemaking much less time consuming than hand dipping. This six taper model held six lengths of cotton wicking threaded into the small holes on the bottom and then secured by two sticks laid across the top. Melted wax or tallow was then poured into the mold and allowed to harden.
Betty Lamp. This was a handy source of light. This one is made of tin. The shallow, cup-like font holds the oil in which floats a wick of twisted cotton.
Hour Glass. An 18th century timepiece made of blown glass in a pine frame. It was found near Lisbon, Connecticut.
Folding Rope Bed. The early maple bed features a headboard with simple pineapple finials. There is no footboard. Ropes supported the straw tick or feather mattress and had to be pulled taut to hold the bed frame together. There would undoubtedly have been a trundle bed under this bed to provide sleeping room for young children. It would be pulled out at night and slid under the bed in the daytime to allow more space for daily household activities. The 1738 inventory of Samuel Hoyt’s estate lists a trundle bed.
Bed Wrenches. Three varying sizes are on display. They were an absolute necessity to keep the bed ropes tight. Herein lies the origin of the nighttime phrase still used today, sleep tight.
William and Mary Chest. A rectangular, lift-top chest made of oak and pine and stained brick red. It is probably of English origin and dates to the late 17th century. It has paneled front and sides; the stiles continue downward to form legs. The incised decoration is of demi-lune design.
Slat Back Rocking Chair. The chair dates to the 18th century with the rockers added at a later date. The original rush seat is well-worn. Provenance: unknown. The Bargello needlepoint cushion was made by Avis Gardiner.
Child’s Slat Back Chair. This mid-18th century chair retains its original red paint and is marked J.P., for John Parsons, on three of the back slats. The front legs are flat so the chair could be used as a child’s walker, pushing it along a bare floor. John Parsons came from England to Massachusetts; then came down to Connecticut and on to New York. He advertised in the New York papers in 1754 as a cabinetmaker. The embroidered cushion was made by Avis Gardiner, a prominent Stamford antiquarian and dealer in American antiques.
Painted Pine Cradle. This gray painted cradle with simple green trim dates to the 19th century. The plank sides rake inward and the rockers are D-shaped.
Ratchet Candlestand. Dating to the early 18th century, this oak candlestand was handmade using small wooden pegs throughout. It has a carved “X” base. Two tin cups were set into the original candle sockets which had burned and were no longer useable. The stand could be adjusted to provide light at the proper height.
T-base Maple Candlestand. The circular tabletop stands on a turned pedestal and shows evidence of original green paint. Acquired as a memorial to Grace Leach, Hospitality Chairman of the Stamford Historical Society for many years.
Three-legged Stool. Stools and simple small benches were easy to make at home and provided portable seating for children in most early homes. Provenance unknown.
Small Household Items. The bootjack, curling iron, chamber pot, small domed box and saucer candlestick warrant the viewer’s interest. Saucer candlesticks were very practical when carrying lighted candles from room to room. The hot wax would fall into the saucer instead of onto the hand of the carrier.
Andirons. Loop top andirons, made circa 1800. The feet are deeply arched.
Small Domed Box. Painted gray and lined with newspaper. This was found in a tumbledown house (purported to be haunted) on Ponus Ridge in New Canaan, CT in 1890.
Rush Light and Candleholder. 17th century, handwrought by a blacksmith. The hand carved oak base is a replacement. This combination candleholder could burn either a candle or rush (plant material found in marshes) that had been dipped in grease and clamped in the tongs. Provenance unknown.
This small room adjacent to the keeping room holds many of the utensils needed for food preparation. One of the major household jobs was making butter and cheese. (Samuel Hoyt’s inventory lists four cows). Butter was churned from the heavy cream which rose to the top of fresh milk after standing for some hours or days in shallow earthenware or tin dishes on cool pantry shelves. After skimming it off, the cream was put in the churn, which was often made of wood as well as stoneware. It was “churned” by moving a wooden dasher up and down—a tedious job often assigned to younger family members. The butterfat in the cream eventually formed into clumps. It was then transferred to a bowl where it was “worked” with a butter paddle to remove any remaining liquid (buttermilk). This ensured that the butter would keep well and remain sweet. It was then packed into containers—crockery or wood. It was sometimes packed into fancy molds with carved designs to imprint the butter.
Storage shelves display. Mortars and pestles for grinding spices, herbs and grains; bowls in many sizes and shapes including some large elongated bowls used for rising bread dough; covered pantry boxes, often made in nested sets; wooden lemon squeezer; potato mashers; sieves, rolling pins; stoneware and redware pottery.
Photos © Stamford Historical Society